“Furniture which is strictly useful, should be of good quality; strength and durability being generally the chief points to be regarded… it is therefore little affected by fashion, whereas the style of drawing room furniture is almost as changeable as fashion in female dress.”
— Mrs. William Parkes (London, 1825)
via

“Furniture which is strictly useful, should be of good quality; strength and durability being generally the chief points to be regarded… it is therefore little affected by fashion, whereas the style of drawing room furniture is almost as changeable as fashion in female dress.”

— Mrs. William Parkes (London, 1825)

via

Planed all the slabs for the table, so happy with the color and figure in the Walnut & Aspen. The Walnut has a purple hue to it in person that’s gorgeous. 

Also, I’m pretty sure there’s a ghost in the shop.

Abraham Lincoln was an axeman, wrestled gangs of ruffians, built railroads, canoed down the Mississippi, walked from New Orleans to Illinois, and when he was on his way to his wedding and was asked where he was going, he replied, “To Hell, I suppose.”
I have a new-found pride in my Lincoln beard.

Abraham Lincoln was an axeman, wrestled gangs of ruffians, built railroads, canoed down the Mississippi, walked from New Orleans to Illinois, and when he was on his way to his wedding and was asked where he was going, he replied, “To Hell, I suppose.”

I have a new-found pride in my Lincoln beard.


jonfloryschrock asked: What was Krenov's method for doing dovetails and the unique spacing (not that you need to spell it all out for me here), and how would you suggest I go about learning about that carpentry short of finding someone to apprentice under which is getting rarer and rarer, especially since I live in the States?

The way he cut them was just like everybody else pretty much, the only thing that might be different from some is he did tails first instead of pins first (which I like). The process of laying out the tails  would take a long time to describe, and if you’ve never cut a dovetail joint before it’d be even longer, and probably really confusing. The reason he cut them the way he did though was aesthetic, and because he wanted you to know it was done by hand, with care & attention to detail; not by a machine. 

As far as the second question, there are a lot of incredible craftsman in America, you just kind of have to dig around and find them. That’s always the best way to learn. Other than that, I would recommend reading what you can by George Nakashima, James Krenov, and Sam Maloof to get a good idea of the craft. Then as far as actual technique goes, Charles Hayward, Alan Peters, Rob Cosman and Chris Schwarz have a ton of great information out there. Magazines like Fine Woodworking and the like have a lot of really good information too. I would recommend watching Cosman’s dvds on dovetailing, he learned from Alan Peters and I like his method a lot. After reading stuff by those guys you’ll see where you want to go with woodworking (whether you like their ideas or not), so just follow your own path and you’ll be fine. 

Hope that helped,

-Luke

Shaping the feet for the table

Shaping the feet for the table

Me and Mark are heading up to this on Saturday, anyone else going? 

Me and Mark are heading up to this on Saturday, anyone else going? 

Vegan Sesame & Almond Vegetable Stir-Fry 
This used to be a vegan cooking blog after all

Vegan Sesame & Almond Vegetable Stir-Fry 

This used to be a vegan cooking blog after all

James Krenov 

James Krenov 

I like the way Krenov did his dovetails, so I’m giving his method a try. So far I like it a lot. The spacing makes them unique, and they don’t look like they came from a machine. 

I like the way Krenov did his dovetails, so I’m giving his method a try. So far I like it a lot. The spacing makes them unique, and they don’t look like they came from a machine. 

jonfloryschrock asked: You quote The Woodworker a lot. Is that a magazine?

Yup, it’s the oldest woodworking publication in the UK. It started in 1901 and is still going.

I like the work Charles Hayward did with it from 1935-1968, as well as his other books.